Video Production Cost in the US (2026)

How much does video production cost in the US?

In 2026, corporate video production in the US typically costs between USD 2,500 and USD 8,000 per finished video on a subscription model, and between USD 6,000 and USD 25,000+ for one-off project work. Price depends on shoot complexity, video length, motion graphics, multi-region delivery, and how much pre-production planning is involved. Below is the full breakdown, the three pricing models in the market, city-by-city differences, and what to look at when comparing quotes.

What are you paying for in a US video production quote?

Most enterprise video quotes in the US include the same core line items, just bundled differently. The five real cost drivers are:

• Crew and equipment. Director or producer, camera operator, sound, lighting, sometimes a second camera or gimbal operator. US crew rates run USD 800 to USD 3,500 per day depending on level and city.
• Editing and post-production. Where most of the time goes. Editing typically takes 1.5 to 3 days for a standard 2 to 3 minute video. Multiply by an editor day rate of USD 700 to USD 1,800.
• Motion graphics and animation. Anything from simple lower thirds (small cost, often included) up to fully animated explainers (USD 3,500 to USD 15,000 per minute of finished animation).
• Pre-production. Scripting, storyboarding, scheduling, location scouting, talent briefing. Usually 1 to 3 days of producer time at USD 900 to USD 1,800 per day.
• Project management and revisions. The bit nobody quotes upfront but everybody pays for. One round of feedback usually included; subsequent rounds typically billed hourly at USD 100 to USD 220.

The three pricing models for video production in the US

1. Project-based with a video production agency

You hire an agency for a specific video. Cost per video is highest because every project resets brand learning and project setup. Typical US enterprise project pricing for a 2 to 3 minute corporate video lands between USD 6,000 and USD 18,000. High-end branded films run USD 25,000 to USD 150,000+.

Best for: one-off campaigns, hero brand films, broadcast TVCs, or businesses producing fewer than 10 videos a year.

2. Agency retainer

You pay a monthly fee for a fixed allocation of agency time. Cost per video drops because setup time amortizes across more work. Typical retainers in the US are USD 8,000 to USD 30,000 per month, covering roughly 3 to 8 videos per month depending on complexity.

Best for: marketing teams with steady but moderate volume, often combined with design, copy, social, and paid media.

3. Subscription video production

You pay a monthly subscription that covers unlimited briefing, a set production capacity, and access to the editing team. Cost per finished video drops further because production infrastructure is shared and brand learning is locked into a workflow. Per-video costs typically land between USD 2,500 and USD 8,000 depending on complexity and volume tier.

Best for: comms, marketing, HR, and L&D teams producing 25+ videos a year, especially those needing burst capacity around launches, events, and quarterly comms.

Sample cost breakdown for a typical US corporate video

For a 2-minute corporate video filmed in one location in a major US city, with English captions and one round of revisions:

• Pre-production (scripting, scheduling, brief): USD 1,200 to USD 2,500
• Shoot day (crew + equipment, half day): USD 1,800 to USD 3,500
• Editing (2 days): USD 1,400 to USD 3,200
• Motion graphics, lower thirds, brand templates: USD 500 to USD 1,500
• Captions and quality check: USD 200 to USD 500
• Project management and one revision round: USD 500 to USD 1,000

Total project-based estimate: USD 5,600 to USD 12,200 per video.

Same video on a subscription model: typically USD 3,000 to USD 5,500 per video, because pre-production templating, brand setup, and project management amortize across other work.

City-by-city US video production pricing in 2026

US pricing varies significantly by city. New York and Los Angeles run highest. San Francisco and Boston run a tier below. Chicago, Atlanta, and Austin run another tier below. Smaller markets like San Diego, Nashville, Denver, and Portland are 25% to 40% cheaper than NYC or LA.

• New York City: Premium market. USD 1,500 to USD 3,500 crew day rates. Deepest crew bench in the US.
• Los Angeles: Premium market. USD 1,400 to USD 3,500 crew day rates. Strongest broadcast and entertainment talent depth.
• San Francisco / Bay Area: USD 1,300 to USD 3,200 crew day rates. Strong in tech and SaaS work.
• Boston: USD 1,200 to USD 3,000 crew day rates. Strong in education, life sciences, FS.
• Chicago: USD 1,100 to USD 2,800 crew day rates. Strong in CPG, B2B, and broadcast.
• Atlanta: USD 1,000 to USD 2,500 crew day rates. Production-friendly state credits.
• Austin: USD 1,000 to USD 2,500 crew day rates. Growing tech sector.
• San Diego: USD 900 to USD 2,400 crew day rates. Strong in biotech, defense, tourism.
• Nashville: USD 900 to USD 2,400 crew day rates. Strong in music, healthcare.
• Denver / Portland: USD 900 to USD 2,200 crew day rates. Smaller crew base, growing.

Hidden costs that catch US teams out

Union vs non-union crews

US shoots involving IATSE or other union crew (more common in NYC and LA, less common elsewhere) come with specific work-rules, meal penalties, overtime, and pension/health contributions. Union day rates can be 20% to 40% higher than non-union equivalents, with non-negotiable overtime above 10-hour days. Build this into the brief if your project requires it.

Talent fees and SAG-AFTRA

SAG-AFTRA-covered talent has separate session fees, use fees by media (broadcast, social, OTT), residuals, and pension/health. A SAG-covered 30-second commercial with national broadcast and one-year online use can run USD 8,000 to USD 25,000+ in talent fees alone, depending on talent profile and usage. Non-union talent removes these layers but limits the talent pool.

Multi-city shoots and travel

A national brand shooting in three US cities pays USD 5,000 to USD 15,000 in crew travel, per diems, and equipment freight per multi-city campaign. A national partner with crews in each city removes most of this. Each travel day is also typically a half-rate billable day.

Revisions beyond the first round

Project agencies usually include one revision round. Anything after is billed hourly. A complex video with three rounds of stakeholder feedback can add USD 1,500 to USD 4,000 to the final bill.

How does video type change the cost in the US?

Different video formats have different cost profiles in 2026:

• Talking-head explainer (single camera, single location, 2 minutes): USD 3,000 to USD 9,000.
• Corporate event recap (full-day shoot, 1 to 2 cameras, 90 seconds delivered): USD 4,500 to USD 12,000.
• Customer testimonial (on location at client office, 2 minutes): USD 4,000 to USD 11,000.
• Animated explainer (2 minutes, custom style, no live action): USD 7,500 to USD 30,000.
• Internal training series (3 to 5 episodes of 4 to 7 minutes, shot in one block): USD 14,000 to USD 45,000 total.
• Brand film for paid media (60 seconds, multi-location, talent, motion graphics): USD 30,000 to USD 150,000+.
• Broadcast TVC (30 seconds, talent, paid network buy): USD 75,000 to USD 500,000+.

Why subscription often works out cheaper for US enterprise teams

The math is straightforward above a certain volume. The fixed costs of video production (pre-production templating, brand setup, project management, the time to learn your business) are roughly the same whether you produce 5 videos a year or 50. On a project basis, those fixed costs get charged again and again. On a subscription, they get absorbed once and amortized across everything produced after.

For a US enterprise comms or marketing team producing 30+ videos a year, a subscription model usually lands at 40% to 60% lower cost per video than equivalent project work, with the added benefit that brand consistency improves because the same team handles every project.

When subscription is the wrong model

If you produce fewer than 10 to 12 videos a year, subscription rarely pays back. The monthly fee assumes the capacity gets used. If you produce 4 videos in 12 months on a subscription that covers 24, you have paid for 20 you never made. Stick with project pricing.

The same goes for one-off hero brand films, broadcast TVCs needing a specific director, and SAG-covered ad campaigns. Those are agency-shaped, not subscription-shaped.

Frequently asked questions

What is the cheapest way to produce business video in the US?

For very small businesses producing under 5 videos a year, freelance videographers in the US charge USD 500 to USD 2,500 per shoot day with editing extra. Quality varies widely. For enterprise teams, the cheapest per-video cost almost always comes from a subscription model once annual volume passes about 25 videos.

How long does it take to produce a video in the US?

Project agencies typically quote 4 to 8 weeks from brief to delivery for a standard corporate video. Subscription models usually deliver a first cut within 48 hours of brief and footage, with final delivery in 5 to 7 days after revisions. The difference is workflow design.

Do US video production prices include music licensing?

They should, but ask explicitly. Most reputable US agencies and subscription providers include commercial-use music licensing in the base price, drawn from production music libraries. Specific popular tracks are a separate licensing conversation and can add USD 500 to USD 200,000+ depending on artist and usage scope.

How do regulated industries (healthcare, FS, pharma) compare on cost?

Base production cost is the same. The added cost is compliance review time and version control overhead, which usually adds 10% to 25% on top of a standard quote. Subscription providers built for regulated industries include this in the workflow rather than charging it separately.

Why is video production in NYC and LA more expensive than other US cities?

Higher crew day rates, union prevalence, SAG-AFTRA depth, higher equipment rental costs, more expensive studio space, and more competition for senior crew during peak production seasons. The quality of work tends to match the cost - both cities have the deepest senior talent benches in the US.

Are there hidden costs in subscription video production?

The main thing to watch for is what happens when you exceed the included capacity. Most subscriptions are sized to a video volume and a complexity tier. Going significantly above either, or producing video types not covered by the tier, usually triggers an overage rate. Ask for that rate up front.

Where to go next

For US-specific service detail, see the New York hub, the Los Angeles hub, and our San Diego hub. For US tourism boards specifically, our multi-language destination video guide. For a scoped quote based on your actual volume, get in touch.