NYC vs LA for Corporate Video Production

Should you produce your corporate video in New York or Los Angeles?

New York and Los Angeles are the two default bases for high-end US corporate video production. Both have unmatched crew depth, complete post-production capacity, and SAG-AFTRA talent benches. The right choice usually comes down to four things: where your stakeholders sit, your industry mix, the kind of work you produce most often, and whether the program is broadcast-adjacent. Below is the structured comparison for 2026.

Quick answer: NYC vs LA for corporate video

NYC is usually the better base for FS programs governed by the SEC and state regulators, programs with East Coast stakeholder bases, brands in advertising, media, retail, and B2B, and editorial-adjacent corporate content. LA is usually the better base for entertainment-adjacent brands, broadcast TVCs and OTT-first content, programs needing entertainment industry talent and locations, and brands HQ'd on the West Coast.

Cost: NYC vs LA video production in 2026

The two cities are roughly equivalent on cost, with LA running 5% to 10% cheaper on standard corporate video and NYC running 5% to 10% cheaper on certain types of advertising production. Both are 30% to 50% more expensive than mid-tier US markets like Chicago, Atlanta, or Austin.

• Crew day rates: NYC USD 1,500 to USD 3,500. LA USD 1,400 to USD 3,500.
• Standard 2 to 3 minute corporate video, project pricing: NYC USD 7,500 to USD 22,000. LA USD 7,000 to USD 21,000.
• Subscription production: Both cities USD 3,000 to USD 8,500 per video. Same providers usually serve both markets.
• Animation per 60 to 90 seconds: NYC USD 8,000 to USD 35,000. LA USD 7,500 to USD 35,000.
• Event coverage day: NYC USD 3,500 to USD 14,000. LA USD 3,500 to USD 14,000.
• Broadcast TVC (30s, SAG, full production): NYC USD 80,000 to USD 500,000+. LA USD 80,000 to USD 600,000+.

For a deeper city-by-city breakdown, see our US video production cost guide.

Talent and crew depth

New York

NYC has the deepest editorial, documentary, and corporate-content crew bench in the US. Producer and director depth across financial, professional services, media, and B2B is unmatched. SAG-AFTRA talent depth is strong for commercial work, with particular bench depth in spokespersons, voiceover, and on-camera business talent. Same-day senior crew booking is straightforward in most weeks.

Los Angeles

LA has the deepest entertainment, broadcast, and advertising-production crew bench in the US. Director and DP depth for high-end broadcast and OTT work is unmatched. SAG-AFTRA talent depth is unmatched - more on-camera talent lives in LA than anywhere else in the world. Production crew depth for big-budget commercial work is the strongest in North America.

Industry mix and stakeholder gravity

The decisive factor. Match the base to where your stakeholders, decision makers, and brand sit.

• NYC HQ industries: Financial services (JPMorgan, Goldman, Morgan Stanley, BlackRock), media (NBCUniversal, NYT, WSJ), advertising and PR, fashion, professional services, B2B SaaS, consumer brands targeting East Coast.
• LA HQ industries: Entertainment and media (studios, streamers, talent agencies), tech (Snap, SpaceX, Riot), consumer brands targeting West Coast, broadcast and creative production, aerospace, and beauty.

Stakeholder travel cost over a year usually outweighs any per-day production cost differential. Produce where the people are.

Turnaround and operational tempo

Both cities can deliver 48 to 72 hour turnaround when the production model is built for it. NYC has a slightly deeper bench of subscription production providers serving corporate content. LA is increasingly competitive, with strong subscription providers serving the tech and brand sectors. For event recap and news-cycle turnaround, both cities can hit same-day or next-day delivery.

Where NYC has an edge is in financial-news-cycle and morning-show pacing. Where LA has an edge is in entertainment-driven event recap and OTT delivery cycles.

Compliance and regulated content

NYC dominates for SEC-regulated FS video, state-regulated insurance video, and securities-related corporate content. The compliance teams, FS marketing teams, and production crews who understand the cadence all cluster in NYC. LA is the dominant base for FCC-regulated broadcast content, FDA-regulated pharma DTC advertising, and entertainment-adjacent compliance work.

When to pick NYC

• Your HQ and senior stakeholders sit in NYC or East Coast.
• You produce SEC-regulated FS or state-regulated insurance content.
• You need editorial, documentary, or news-style production.
• Your industry mix is FS, media, professional services, advertising, fashion, or B2B SaaS.
• Your audience and brand context skew East Coast or international.

When to pick LA

• Your HQ and stakeholders sit in LA or West Coast.
• You produce broadcast TVCs, OTT-first content, or entertainment-adjacent brand work.
• You need the deepest SAG-AFTRA on-camera talent bench.
• Your industry mix is entertainment, tech, beauty, lifestyle, or aerospace.
• You need access to LA locations, production stages, or entertainment industry partners.

The hybrid play: produce nationally, shoot in both

Most US enterprises with bicoastal stakeholder bases now run a hybrid model. The production program is based wherever the operating model fits (often a third city like San Diego, Chicago, or Austin where overhead is lower), and crews work locally in NYC and LA for shoots that need either city's specific talent or locations. National partners with crews in both cities handle this without separate vendor relationships. Brand learning lives in one team, footage stays authentic to each market.

This is the operating model behind most of the scaled US enterprise video programs we see in 2026. Shootsta runs this model from its San Diego US base with crews in NYC, LA, and across the country.

Frequently asked questions

Is video production cheaper in NYC or LA?

Roughly equivalent. LA runs 5% to 10% cheaper on standard corporate video. NYC runs 5% to 10% cheaper on certain types of advertising production. The real cost difference is between either premium city and mid-tier US markets like Chicago, Atlanta, or Austin, where similar quality runs 30% to 50% cheaper.

Where should SEC-regulated FS video be produced?

NYC, in most cases. The SEC-regulated FS sector is concentrated in NYC, and the production teams comfortable with FS workflow and compliance review are deeper there. LA can run FS video but the bench is thinner. For SEC-regulated investor relations content specifically, NYC also has the broadcast IR studios and the financial-news talent bench that LA lacks.

Where should broadcast TVCs and ad campaigns be produced?

LA, for most national broadcast and OTT work. LA has the deepest advertising production bench, the deepest SAG-AFTRA on-camera talent pool, and the strongest director and DP roster for high-end commercial work. NYC is competitive for editorial-led, B2B, or financial advertising specifically.

Can a NYC production company shoot in LA?

Yes, and most established NYC providers do. A small core crew flies in from NYC with local LA production support hired for the day. Same in the other direction. For multi-day LA shoots, an LA-based crew is usually more cost-effective than travelling from NYC.

What about Chicago, Atlanta, Austin, San Diego?

All have credible crew bases and run 30% to 50% cheaper than NYC or LA for similar quality. Chicago is strong for CPG and B2B. Atlanta benefits from production-friendly Georgia state credits and growing crew depth. Austin has growing tech sector adjacency. San Diego has biotech, defense, and tourism specialty. For most enterprise programs, the question is whether the premium NYC or LA cost is justified by the specific industry, talent, or location need.

Where to go next

For NYC-specific service detail, see the New York video production hub. For LA, the Los Angeles video production hub. For the full US cost picture, the US video production cost guide. For a scoped quote, get in touch.